Sebadoh
III (Domino). Review by Jen Cray.
III (Domino). Review by Jen Cray.
The Loon (XL). Review by Jen Cray.
Austin May (self-released). Review by Kyrby Raine.
Time conquers all, even famously virtriolic band implosions. Witness the recent Pixies reunion, and as Steven Garnett did, Dinosaur Jr.
Central Hug/Friendarmy/Fractaldunes (Discos Mariscos). Review by Rob Levy.
…is a Real Boy (Doghouse). Review by Daniel Mitchell.
2 (Narnack Records). Review by Terry Eagan.
I’ll Take It (Arena Rock). Review by Matthew Moyer.
Leftover Blues 1991 – 2003 (Contraphonic). Review by Terry Eagan.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
943 Recluse (Recordhead / Mr. Whiggs). Review by Stein Haukland.
Songs For an Unborn Sun (Temporary Residence). Review by Aaron Shaul.
Lou B’s Wasted Pieces ‘87-‘93 (Shrimper). Review by Stein Haukland.
Lou B’s Wasted Pieces ‘87-‘93 (Shrimper / Revolver). Review by Stein Haukland.
The Singles 1992-1997 (No Sides). Review by Terry Eagan.
London Crawling (Rub Wrongways Records). Review by Daniel Mitchell.
Songs from Willapa Bay (Karma Records). Review by Ryan Yemen.
Wonderue (K). Review by Matthew Moyer.
At Sixes and Sevens (Sub Pop). Review by Matt Cibula.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.