Vance Gilbert
Good Good Man (Disismye Music). Review by James Mann.
Good Good Man (Disismye Music). Review by James Mann.
Seen Enough Leavers (Cranky Heartburn Music). Review by Michelle Wilson.
Cayamo Sessions At Sea (New West Records). Review by James Mann.
Static (Columbia). Review by Jen Cray.
Driving Toward the Sun (MRI Associated). Review by Rose Petralia.
Poseidon and the Bitter Bug (IG Recordings/Vanguard Records). Review by Tim Wardyn.
Apple Tree (Marion-Lorraine Records). Review by Phil Bailey.
Who I Am (Peacock Music). Review by Sean Slone.
Long Night Moon (Compass). Review by Andrew Ellis.
Strawberry Lover (Ryko). Review by Aaron Shaul.
Little Films. Review by Kyrby Raine.
Lost In America (Vanguard Records). Review by Andrew Ellis.
Polaroids: A Greatest Hits Collection (Columbia). Review by Andrew Ellis.
Out Past the Lights (Grace & Parkinsong). Review by Aaron Shaul.
Truck Was Struck (Ariadne). Review by Aaron Shaul.
Between Here and Gone (Sony Nashville). Review by Andrew Ellis.
Baby Blue (Rubric). Review by Aaron Shaul.
Rain and Mud and Wild and Green (Big Fat). Review by Stein Haukland.
Night Sessions (Columbia). Review by Sean Slone.
Whole New You (Columbia). Review by Sean Slone.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.