• Pawns

    Pawns

    A triple bill of underground Goth, led by NYC’s Pawns, transforms Uncle Lou’s into a time machine. Jen Cray did not wear eye makeup, but she did wear a black shirt to the show.

  • Backhand

    Backhand

    Through the Turbulence (Melodic Revolution Records). Review by Michelle Wilson.

  • Vex

    Vex

    Sanctuary: The Complete Discography (Sacred Bones). Review by Matthew Moyer.

  • Vex

    Sanctuary: The Complete Discography (Sacred Bones). Review by Matthew Moyer.

  • The World’s End

    What begins as a reunion pub crawl for five friends turns into a night of booze, bodies, and the bizarre, delving deeper into chaos as it leads to redemption, love, loss, and hope at a pub called The Worlds End.

  • The World’s End

    The World’s End

    What begins as a reunion pub crawl for five friends turns into a night of booze, bodies, and the bizarre, delving deeper into chaos as it leads to redemption, love, loss, and hope at a pub called The Worlds End.

  • Killing Joke

    Killing Joke

    Absolute Dissent (Spinefarm/Universal). Review by Matthew Moyer.

  • ARE Weapons

    ARE Weapons

    Darker Blue (Defend Music). Review by Matthew Moyer.

  • Indian Jewelry

    Indian Jewelry

    Totaled (Monitor). Review by Matthew Moyer.

  • Blacklist

    Blacklist

    Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.

  • The 69 Eyes

    The 69 Eyes

    Self-proclaimed “Helsinki Vampires” The 69 Eyes delivered an amazing, high octane performance at Orlando’s Social.

  • Blacklist

    Blacklist

    Midnight of the Century (Wierd). Review by Matthew Moyer.

  • Sixx:AM

    Sixx:AM

    The Heroin Diaries (Eleven Seven). Review by Andrew Ellis.

  • This Song Is A Mess But So Am I

    This Song Is A Mess But So Am I

    Church Point, LA (Mattress Records). Review by Matthew Moyer.

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