Ben Watt
Hendra (Unmade Road). Review by Michelle Wilson.
Hendra (Unmade Road). Review by Michelle Wilson.
Stories, No Names. Review by Carl F Gauze.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Black Magic Show (Kemado/Hollywood). Review by Jen Cray.
Sleepwalker (Universal). Review by Andrew Ellis.
Radio One Sessions (Koch). Review by Daniel Mitchell.
Thank You, Goodnight (Octone ). Review by Terry Eagan.
Sarah Veladora (self-released). Review by Stein Haukland.
Anyone (Roadrunner). Review by Stein Haukland.
Night On Earth (Eagle). Review by Randall J. Stephens.
Exit Now (File 13). Review by Randall Stephens.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.