HEALTH
HATEFUL (Loma Vista Recordings). Review by Steven Cruse.
HATEFUL (Loma Vista Recordings). Review by Steven Cruse.
Blue Hearts (Merge). Review by Scott Adams.
Invincible. Review by James Mann.
Heart Explosion. Review by Carl F Gauze.
Copper Blue/Beaster EP & File Under: Easy Listening Reissues (Merge). Review by Eric J. Iannelli.
See a Little Light: The Trail of Rage and Melody tells Bob Mould’s entire story – from his abusive childhood to his coming out as a gay man, filled with details and anecdotes from his 50-plus years.
Blowoff (Full Frequency). Review by Ben Varkentine.
Daniel Mitchell enjoys the occasional musico-archaelogical jaunt through the wonderful world of Ohio record shop dollar bins; what follows are his top 19 finds of 2003.
Blaze (Fat Wreck). Review by Stein Haukland.
Say It Loud (Sparrow Records). Review by Daniel Mitchell.
The Identity EP (Uprising). Review by Daniel Mitchell.
Trading My Life (Equal Vision). Review by Daniel Mitchell.
The Engine of Commerce (Vital Cog). Review by Daniel Mitchell.
Super 12 (Reel To Reel). Review by Stein Haukland.
Strangeways (Mt. Fuji / Roam). Review by Stein Haukland.
Sugar (Polyvinyl). Review by Dan Stapleton.
Retrospective (Tooth & Nail). Review by Daniel Mitchell.
Harvette (Stone Garden). Review by Stein Haukland.
Epicure (Endearing). Review by Stein Haukland.
Now It’s Overhead (Saddle Creek). Review by Marcel Feldmar.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.