Tomorrow We Move to Hawaii
Indépendance (Red Eye Transit). Review by Carl F Gauze.
Indépendance (Red Eye Transit). Review by Carl F Gauze.
45 Grave is a monthly column dedicated to a physical music medium that is way too fun to go quietly into digital limbo, no matter how eagerly cloud zombies want to fashion the coffin.
Central Flow (Fire Records). Review by Matthew Moyer.
Before Today (4AD Records). Review by Matthew Moyer.
Darker Blue (Defend Music). Review by Matthew Moyer.
Islands (Labrador Records). Review by Matthew Moyer.
Psychic Chasms (Lefse Records). Review by Matthew Moyer.
Bolshevik Disco (Manimal Vinyl). Review by Matthew Moyer.
Union Street (Mute). Review by Kiran Aditham.
Satan’s Circus (Drone/Universal). Review by Kiran Aditham.
A Complete Arsenal (Sound Virus). Review by Aaron Shaul.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.