- Music Reviews
- November 3, 2017
The Way Life Goes (Deluxe Edition) (Cleopatra Records). Review by Joe Frietze.
Impossible. Review by Joe Frietze.
A Man Called Destruction (Omnivore Recordings). Review by James Mann.
Makes Me Sick (Hopeless Records). Review by Jen Cray.
Complete Third (Omnivore Recordings). Review by James Mann.
Grackle (Paper Cup). Review by Jen Cray.
Pythons (Warner Bros). Review by Jen Cray.
Comedown Machine (RCA). Review by Jen Cray.
Ghost on the Canvas (Surfdog Records). Review by Sean Slone.
WWII (Dirtnap). Review by Jen Cray.
Bruno MacDonald aims for a paper wiki of rock history, showing the connections that casual fans might miss, in this interesting take on the history of rock ‘n’ roll.
Tomorrow Is Alright (Fat Possum). Review by Jen Cray.
Two-Way Family Favourites (Southern Domestic Recordings). Review by Sean Slone.
Angelic Swells (Slumberland). Review by Jen Cray.
Surfer Blood stole the headlining spot right out from under tour mates The Pains of Being Pure at Heart for a semi-hometown Orlando gig, but Jen Cray doesn’t think that they earned it.
After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.
Hitting the road with Ani DiFranco as a follow-up to her national touring debut with no less a superstar than Tracy Chapman, Gaby Moreno will have to follow-up her debut album, Still the Unknown with a title more befitting her potential breakout. She’s already got some surprises up her sleeve for the second act.
25 O’clock/ Psonic Psunspot (Ape UK). Review by James Mann.
Lynn Wallace talks to Miniature Tigers front man Charlie Brand about the band’s first full-length album, touring, and its recent rise to fame.
The Bright Orange Years (Merge Records). Review by Scott Adams.