- Screen Reviews
- November 24, 2017
Lydia Loveless bares her soul in this riveting film.
The Horror (Sacred Bones). Review by Matthew Moyer.
Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.
Ersatz G.B. (Cherry Red Records). Review by James Mann.
Seconds Late for the Brighton Line (ROIR). Review by Robert Sutton.
Your Future Our Clutter (Domino). Review by Matthew Moyer.
The Fallen resembles Akira Kurosawa’s Rashomon, trying to get at the story of The Fall by letting everyone tell their conflicting versions of the band’s true story. And by everyone, Matthew Moyer means EVERYONE.
Hippies (Matador). Review by Matthew Moyer.
Nude With Boots (Ipecac). Review by Matthew Moyer.
12 Crass Songs (Rough Trade ). Review by Michael Crown.
The Horrors are a skinny, gothly clad bunch living inside of a late night radio flashback to the alternative side of the 70’s and 80’s- and don’t we all want to slip into that dark little world once again?! Frontman Faris Badwan answered a few questions for newly converted fan Jen Cray.
Fall Heads Roll (Narnack). Review by Aaron Shaul.
The Real New Fall LP (Narnack). Review by Aaron Shaul.
Skin’s Getting Weird (Gold Standard Laboratories). Review by Terry Eagan.
Tacoma Ballet (Brain Floss). Review by Matt Cibula.
10 Songs (Perishable). Review by Stein Haukland.
All Eyes Open (Stick Figure). Review by Kiran Aditham.
Any Other City (DC / Baltimore 2012). Review by Terry Eagan.
Tales of Madness and Horror (Daemon). Review by Nicholas Vroman.
After disappearing for five years, Elastica have appeared back on the scene with a new album, The Menace, and a new line-up. Singer Justine Frischmann talks with Julio Diaz about the hiatus, the changes, and why Elastica should be considered a punk rock band.