Johnny Cash
At The Carousel Ballroom April 24, 1968 (Renew Records). Review by James Mann.
At The Carousel Ballroom April 24, 1968 (Renew Records). Review by James Mann.
Early Songs and Rarities (Concord Records). Review by Michelle Wilson.
Under The Wheels: Live From The Coasts, Volume 1 (Silver Current Records). Review by Michelle Wilson.
Brimming with compelling interviews, and bursting with action-packed concert performances, this newly-released DVD documentary provides music enthusiasts with a riveting, behind-the-scenes look at one of rock’s most influential festivals.
Concrete Class (The Control Group/In Music We Trust). Review by Tim Wardyn.
Carl F Gauze rounds up the best of those who left us last year. If there’s a more perfect number than nineteen, we’ve yet to find it!
Pretty Little Stranger (Vanguard). Review by Tim Wardyn.
Memory Tree. Review by Stein Haukland.
Memory Tree. Review by Stein Haukland.
Evolver (Humble Abode). Review by Aaron Shaul.
The Forever Changes Concert (Snapper). Review by Stein Haukland.
Moses Guest (Aufheben). Review by Vinnie Apicella.
Sing The Beatles (Chesky). Review by Bill Campbell.
The Anthology (MCA/Universal). Review by Hal Horowitz.
Bridge (A&M/Interscope). Review by Hal Horowitz.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.