Mixtape 138 :: Political Song
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
It’s a perfect time to bring Sound Salvation to a wider audience via the Internet, albeit in a different form.
With a riotous sonic assault that nearly brought down the balcony at the Bowery Ballroom, Superchunk showed they still have the fire and intensity of their youth, kicking out the jams, shredding the wallpaper, and bringing the noise to a very enthusiastic crowd that included Jeff Schweers.
Let’s Get Ready to Crumble (Upper Class). Review by Stein Haukland.
Great Blue (Bus Stop). Review by Terry Eagan.
Christopher R. Weingarten gets a few words with the punk rocker most hated by his own community, the “Atom” half of Atom and His Package, Adam Goren. The Package, alas, remains unavailable for comment.
Twilight (Carrot Top). Review by Randall J. Stephens.
Column by Marcel Feldmar
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.