The glass bottom boat of the cultural press
Frances wants so much more than she has, but lives her life with unaccountable joy and lightness. From Noah Baumbach’s monochrome melancholy comes a charming comedic tale of passion, pain, hope, and despair that can only happen in New York.
With Greenberg, film writer-director Noah Baumbach successfully adds another to his patented string of highly intellectual meanderings full of difficult characters expressing their personal pain by violently thrusting it upon others while feigning self-deprecation.
Jeff Daniels’ newest piece, a musical comedy western, is less about making people laugh and more about showcasing his tuneful songs. Julie Haverkate wonders how a play about a guitar-slinging cowboy could go so wrong.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.