Mixtape 160 :: Petey Jones’ Locker
The Ghoulies from Perth, Australia look like regular blokes caught out grocery shopping, but the sound they make is an urgent, insistent punk rock howl with a frenetic keyboard bubbling through.
The Ghoulies from Perth, Australia look like regular blokes caught out grocery shopping, but the sound they make is an urgent, insistent punk rock howl with a frenetic keyboard bubbling through.
Viagra Boys don’t care what you think… there’s plenty of room for a saxophone and John Prine covers in the backseat of a 21st century punk band.
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
Belong (Slumberland). Review by Scott Adams.
The Lonely World of the Dudley Corporation (Flameshovel). Review by Stein Haukland.
It Wouldn’t Be What It Is (Soundsfamilyre). Review by Randall J. Stephens.
Singles 1995-97 (Cooking Vinyl/SpinART). Review by Ian Koss
Singles 1989-1991 (Manifesto). Review by Ian Koss
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.