Mixtape 164 :: Radio Man ’56
The Fogerty Brothers are putting their upbringing to good use in the genuinely psychedelic outfit Hearty Har, parsing the electric sitars and paisleys of long ago into a legitimate translation.
The Fogerty Brothers are putting their upbringing to good use in the genuinely psychedelic outfit Hearty Har, parsing the electric sitars and paisleys of long ago into a legitimate translation.
For Blood and Wine. Review by Matthew Moyer.
You Brought a Knife to a Gunfight (Tom Perkins Entertainment). Review by Aaron Shaul.
Phoenician Terrane (Contraphonic). Review by Aaron Shaul.
Sometimes You Hear Through Someone Else (Azra). Review by Aaron Shaul.
Micah P. Hinson and the Opera Circuit (Jade Tree). Review by Aaron Shaul.
The Dirt Tier (Luckyhorse). Review by Aaron Shaul.
Irish import Damien Rice plays to a sold-out crowd in Toronto, leaving the audience – and Margie Libling – speechless and mesmerized. Never before has an artist touched his fans as much as Damien Rice…
White Night, Floating Anchor (Emperor Jones). Review by Stein Haukland.
Trouble Every Day (Beggars Banquet). Review by Stein Haukland.
Can Our Love… (Beggars Banquet). Review by Nathan T. Birk.
Vingt a Trente Mille Jours (Labels/Virgin France). Review by Terry Eagan.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.