Waiting on a Breeze. Review by Randy Radic.

Human Reaction (Big Ego Records). Review by Steven Garnett.

Joe Bonamassa brings his blues-rock extravaganza to historic Red Rocks Amphitheatre in Morrison, Colorado, where Michelle Wilson is thrilled to review a bucket-list show.

Drive It Like It’s Stolen (Blood Harmony). Review by Andrew Ellis.

This week, Christopher Long has his local used record dealer on all fours, digging up a true treasure: a near-mint vinyl copy of Success Hasn’t Spoiled Me Yet, the 1982 pop-rock classic from Rick Springfield — for only $6.

Emotional Contracts (ATO). Review by Julius C. Lacking.

Lucinda Williams performs with her band Buick 6 at The Englert Theater in Iowa City, Iowa. Lifetime fan Jeremy Glazier gets inspired.

Electro Melodier (Thirty Tigers Records). Review by Misty Marcus.

There are many two-genre combos that will fit on Blitzen Trapper like a tailored suit, but my current favorite is “country psychedelia”.

Mad Lad A Live Tribute to Chuck Berry (BMG). Review by Joe Frietze.

Misty Morning Dew. Review by Michelle Wilson.

An FM station fights to keep is music cool while corporate wants more advertising. Corporate wins again.

A look back to that magic era of 1965 to 1967 when rock and roll discover folk music and redefined what rock and roll might be.

Sunset Kids (Wicked Cool/The Orchard/Velvet Elk). Review by Andrew Ellis.

Back Again (Mac Powell Records). Review by Christopher Long.

Down To The River (BMG). Review by Michelle Wilson.

No Good Deed (Pretty Good For A Girl Records). Review by Michelle Wilson.

Blood (Fuzze-Flex Records). Review by Michelle Wilson.

Reminders (Golden Twine Music). Review by Stacey Zering.

I Like It Down Here (Daphne Records). Review by James Mann.