Fran Healy
WRECKORDER (Ryko). Review by Sean Slone.
WRECKORDER (Ryko). Review by Sean Slone.
Rotten Love (One Little Indian). Review by Aaron Shaul.
What Is Love For (Rykodisc). Review by Andrew Ellis.
Magpie (Fiction). Review by Sean Slone.
JackInABox (Astralwerks). Review by Sean Slone.
Permanent Holiday (Hidden Agenda). Review by Aaron Shaul.
Singles (Epic/Independiente). Review by Andrew Ellis.
If You Can (Flameshovel). Review by Aaron Shaul.
Battery (Barsuk). Review by Aaron Shaul.
indie british rock brit-pop 1980s ’80s,Aveo,Battery,Barsuk,Aaron Shaul
A Rush of Blood to the Head (Capitol). Review by Stein Haukland.
Between The Senses (Virgin). Review by Terry Eagan.
Iceland (Loveless). Review by Terry Eagan.
Chauncey (Change). Review by Stein Haukland.
Original Television Soundtrack (Nettwerk America). Review by Vanessa Bormann.
Quiet & Still (Fiveone). Review by Marcel Feldmar.
The Everyday Separation (Mud). Review by Marcel Feldmar.
Hot Shots II (Astralwerks). Review by Nathan T. Birk.
Following in the footsteps of the Brit-pop icons Oasis, Travis deliver the go…
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.