Mixtape 141 :: Faith
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Serious (Palm Pictures). Review by Bill Campbell.
Nueva Musica (Electric Monkey). Review by Bill Campbell.
Elevator Music (Compost). Review by Bill Campbell.
Reconstruction (Fluid Ounce/Ubiquity). Review by Bill Campbell.
Morphology (Om). Review by Bill Campbell.
City To City (Ubiquity). Review by Bill Campbell.
Compiled by Rainer Trüby (Compost). Review by Carl Glaser.
Peace Orchestra Reset (G-Stone / !K7). Review by Bill Campbell.
Global Expeditions in Nu Jazz + Broken Beats (Om). Review by Bill Campbell.
Unlimited Freestyles Out of Nowhere (Spinning Wheel). Review by Bill Campbell.
Various Artists (Wagram). Review by Carl Glaser.
Waltz For Koop (Jazzanova / Compost). Review by Bill Campbell.
Programmed To Love (Ministry of Sound). Review by Vanessa Bormann.
Inner Space/Outer Space (Ninja Tune). Review by Bill Campbell.
Recollection Vol. 1 (Instinct). Review by Bill Campbell.
A Go Go/Carajillio/Prima Vera (Beanfield). Review by Aaron Schultz
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.