Burd Early
Observatory EP (King Crab) and Magnet Mountain (Western). Review by Werner Lorre.
Observatory EP (King Crab) and Magnet Mountain (Western). Review by Werner Lorre.
The Paper Hearts (Clunk). Review by Stein Haukland.
In a chat with drummer Mark Ortmann, Sean Slone discovers why all the songs on The Bottle Rockets’ new album remain the Sahm.
Pacific Coast Rambler (Koch). Review by Eric J. Iannelli.
Things Change (Leaps). Review by Sean Slone.
Songs Of Sahm (Bloodshot). Review by Sean Slone.
Telegraph (Safe House). Review by James Mann.
Feeding The Gods (What Are). Review by Sean Slone.
Time (The Revelator) (Acony). Review by James Mann.
Pneumonia (Lost Highway). Review by James Mann.
Catch-All (Yep Roc). Review by Sean Slone.
Here’s Luck (Palm Pictures). Review by Sean Slone.
Satellite Rides (Elektra). Review by Sean Slone.
Marrying British psychedelia to American jangle pop and roots music may sound like an odd combination, but this band’s heartfelt dedication and songcraft makes it work. Terry Eagan makes a call on The Red Telephone, and singer/guitarist Matt Hutton answers.
Hurry to your local bookstore and ask for it. If they do not have it, single …
Summerteeth (Reprise). Review by James Mann
Event Review by Brent Dey
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.