Mixtape 170 :: I Must Go
Hailing from the southwest of France, The Llamps build on a sound that’s equal parts New York City grit, San Francisco psychedelia, and spaghetti Western twang, which makes for a pan-global main dish.
Hailing from the southwest of France, The Llamps build on a sound that’s equal parts New York City grit, San Francisco psychedelia, and spaghetti Western twang, which makes for a pan-global main dish.
There are several sounds that are most definitely British, and with their clear soaring female vocals and intimate indie pop sensibility, The Catenary Wires are a textbook example of one of them.
Blue Weekend (RCA). Review by Julius C. Lacking.
Belly brought lot of grit and a touch of grace to the Bowery Ballroom in NYC.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.