Mixtape 148 :: Strange To Explain
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
It’s hard to to live up to a name like Young Fresh Fellows when you’ve been at it for almost 40 years, but good time rock and roll never goes out of style.
The Just Joans keep it in the family, and they keep it fairly civil, covering their lethally caustic Scottish wit in a layer of pleasant pop.
The world of Khruangbin is made up of velvet sunsets, shimmering dunes, and cool river rocks. There’s also a guitar, some drums, and a bass. And lately, vocals.
The Babies (Shrimper). Review by Matthew Moyer.
Matthew Moyer caught up with Vivian Girls guitarist Cassie Ramone on the downside of SXSW, and found the core Vivians restless and ready to move on to new projects, but still completely dedicated to art and music.
At Rear House (Shrimper). Review by Matthew Moyer.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.