Mixtape 141 :: Faith
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
The Social, in Orlando, has been frequently offering two-night residencies to bands that can easily sell out the small venue. Booking the bill with big talent and odd packaging, these shows are usually a hot ticket and always memorable. For a holiday treat in December, Bouncing Souls were the band in big letters with hefty support from The Street Dogs , Whole Wheat Bread and World/Inferno Friendship Society. Jen Cray was there for the mayhem on night #2.
The Hold Steady are in part known for the copious amounts of alcohol they consume onstage during every performance. How much alcohol can they actually get through in an hour and change? Jen Cray was at their Orlando gig to find out.
Ruy Blas (Lovitt). Review by Kurt Channing.
As cool as this CD is, this band has got to be seen to be believed.
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.
Brooklyn rapper Max Gertler finds himself a bit ground up on “Put My Heart in a Jay,” his latest single.