Echtra
Paragate (Temple of Torturous). Review by Matthew Moyer.
Paragate (Temple of Torturous). Review by Matthew Moyer.
Fall Of Man (Trouble and Bass). Review by Matthew Moyer.
When Above (Wraith Productions). Review by Matthew Moyer.
Finsternis (Public Guilt). Review by Matthew Moyer.
Megafauna (Holy Mountain). Review by Matthew Moyer.
Wind’s Poem (PW Elverum and Son). Review by Matthew Moyer.
All Reflections Drained (Hydrahead). Review by Matthew Moyer.
A Gate Through Bloodstained Mirrors (Hydra Head). Review by Matthew Moyer.
Frigidiis Apotheosia (Paragon / Apparitia). Review by Matthew Moyer.
Lurker of Chalice (Southern Lord). Review by Matthew Moyer.
Anthology (Candlelight). Review by Matthew Moyer.
Defective Epitaph (Hydra Head). Review by Matthew Moyer.
Cold (Silber Records). Review by Matthew Moyer.
Matthew Moyer talks with atmospheric metal mastermind Per Gustaffssons, aka Bergraven about creating music in isolation, the genius of Lindsey Buckingham, and what makes metal an ideal form of expression.
The Yawn of the New Age (Vendlus Records). Review by Matthew Moyer.
The Divine Tragedy (NMB Records). Review by Matthew Moyer.
Subliminal Genocide (Hydra Head). Review by Matthew Moyer.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.