This goes way analog, using sound sources from “101 Electronics” breadboard projects along with the expected samples and tape loops. Like most albums in this genre — the simple repetitive noise genre — it can be maddeningly annoying or supremely sublime. Sometimes both at once. Is this calculated genius or baboons programming drum machines on the fly? Find out for yourself. Invisible Records, P.O. Box 16008, Chicago, IL 60616;

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