Edges from the Postcard 2
Various Artists (Twangfest). Review by James Mann
Various Artists (Twangfest). Review by James Mann
Various Artists (A to Y). Review by Julio Diaz
Interview by David Lee Beowülf
Quit Your Band (Jump Up! Ska). Review by Julio Diaz
Various Artists (Put It On a Cracker). Review by Ian Koss
Cajun for Kids (Music for Little People). Review by Drew Id
Works (Eightball). Review by Richard T. Thurston
In Thru Out (Quantum Loop). Review by Tony Coulson
… And the Gods, They Play (DMZ Productions). Review by David Lee Beowülf
Skidmarks (Crypt). Review by Charles D.J. Deppner
Just Beautiful Music (Epitaph). Review by Jeremy Wernow
Duck and Cover (Fat Wreck Chords). Review by Phillip Haire
Voices from the Sky (Sire). Review by Phil Bailey
Dance of the Drunken Master (Shanachie). Review by Phillip Haire
Interview by Ed Furniture
Combustication (Blue Note). Review by Gregory Schaefer
The Way We Were (RCA). Review by David Lee Simmons
Psycho Semitic (JAM/Knitting Factory). Review by Ian Koss
Feature by James Mann
The Values of Man (Truth Against The World). Review by Ed Furniture
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.