Big Ass Truck

Big Ass Truck

Sapphire Supper Club, Orlando • September 25, 1998

Having received a tip from our illustrious editor about Big Ass Truck rolling into town with groove and rock for all, I knew there was no option but to head over to the Sapphire and maybe get sideswiped. Instead, I was hit head-on and steam-rolled by the Truck in what proved to be one of the better shows of the year! The studio cleanliness and production of their recordings was exchanged for a screaming wah-wah pedal blaring out on extended jams. Steve Selvidge’s effects pedal and Colin Butler’s turntable beat-mix was in full force as B.A.T. unleashed an all-out blitz on O-Town. A live outing with Big Ass Truck adds a whole new dimension to their already impressive studio work.

A more structured opening set warmed the crowd up to what joyous mayhem would ensue as the night went on. When they came out for the next set, all formalities were cast aside for an hour and a half, as Selvidge and Robby Grant, rhythm guitar/vocalist, traded licks. The beauty here is the guys would simply start jamming on funk, psychedelic, punk, rock — whatever — and be right on cue, a testament to their collective talents. All the while they were having a great time doing it — is that not the essence of what being in a band is all about? Two sets of BAT and I, along with all who witnessed this show, became believers. Don’t let The Truck pass you by!

Leave a Comment

Your email address will not be published. Required fields are marked with *

Recently on Ink 19...

  • Metallica: The $24.95 Book
    Metallica: The $24.95 Book

    From an underground band that pioneered the thrash metal sound, to arguably the biggest rock act in the new millennium, Metallica has had a long and tumultuous history. Ben Apatoff scours a myriad of sources to catalog this history in his new book.

  • Araceli Lemos
    Araceli Lemos

    Shortly after AFI Fest 2021 wrapped, Generoso spoke at length with director, Araceli Lemos about her award-winning and potent feature debut, Holy Emy. Lemos’s film uses elements of body horror in her story about the exoticization of two Filipina sisters living in Greece and how that exploitation creates a distance between them.

  • Southern Accents 55
    Southern Accents 55

    A woofin’ good time with cuts from Hank Williams, Muddy Waters, Delta Moon and more from KMRD 96.9, Madrid, New Mexico!

  • Rosencrantz and Guildenstern are Dead
    Rosencrantz and Guildenstern are Dead

    Absurdism with a healthy dose of air conditioning.

  • Mixtape 172 :: My Old Bassist
    Mixtape 172 :: My Old Bassist

    Like pre-teens throwing every liquid into the kitchen blender and daring each other to drink the results, Woody and Jeremy fuse all manner of sounds legitimate and profane into some murky concoction that tastes surprisingly good.

  • Demons/Demons 2
    Demons/Demons 2

    Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.

  • Sylvie Courvoisier and Mary Halvorson
    Sylvie Courvoisier and Mary Halvorson

    Searching for the Disappearing Hour (Pyroclastic Records). Review by Bob Pomeroy.

  • Payal Kapadia
    Payal Kapadia

    Earlier this year, director Payal Kapadia was awarded the Oeil d’or (Golden Eye) for best documentary at the 74th Cannes Film Festival for her debut feature, A Night of Knowing Nothing. Lily and Generoso interviewed Kapadia about her poignant film, which employs a hybrid-fiction technique to provide a personal view of the student protests that engulfed Indian colleges and universities during the previous decade.

  • Roger’s and Hammerstein’s Cinderella
    Roger’s and Hammerstein’s Cinderella

    A classic children’s tale re-imagined by America’s greatest composers.

  • Taraka
    Taraka

    Welcome to Paradise Lost (Rage Peace). Review by Bob Pomeroy.

From the Archives