Deep Purple

Deep Purple

Abandon

CMC International

Deep Purple had a profound effect on my life since first learning of them back around 1973. My pal Rick’s older, older brother, Peter, was out of high school at the time (I was 10) and Pete was into all sorts of crazy music, especially Alice Cooper and Deep Purple. Well, one day I got a look at Deep Purple’s Machine Head! which scared me so much that I trembled whenever someone mentioned “Deep Purple.” Look, to an 8-year-old growing up in fear of “heroin-using hippies,” those album covers were pretty creepy. This was the age of long-haired hippies putting drugs in Halloween candy, and I was terrified of them. Jumping up to 1975, when, as a Boy Scout at a camp in Georgia, I first actually heard Deep Purple; a “rock” radio station was playing “Smoke On the Water.” It was baaaaad. Interestingly enough, in the late 1970’s, when “classic rock” was starting to get on my nerves, I finally heard the Deep Purple classics “Woman From Tokyo,” “Space Truckin,” “Highway Star,” and “Hush.” I’ve since heard more and become slightly more educated. And I’m not scared by Deep Purple album covers any more (not even Burn!“).

So let’s flash to 1998, when these dudes are older than most of you early-twentysomething’s parents. This is their zillionth album in thirty years. And I’ve been listening to it for a week, it is that amazing. You know, I was right-on in 1973 to be scared. This is heavy, near-supernatural creepy blues-metal. “Seventh Heaven” and “Watching the Sky” will convince any ten-year-old that he’s listening to a hippy coven out in the woods somewhere — and it’s way past his bed time — and he might not make it back home! “Fingers to the Bone” isn’t scary in that sense, but I was thrown back to a time in 1977 when music was just starting to change my life and a song like this would do things to me. It’s a combination of hard rock and interesting, mystical keyboards. “Any Fule Kno That” and “Jack Ruby” (and the majority of the album) are timeless, hard rocking, funky blues numbers showcasing the band’s slightly wicked sense of humor (and awesome keyboards). “Evil Louie” is the most “metal” tune on the album and it’s real metal. There’s also a new version of “Bloodsucker,” another one from the days when I soiled my undergarments hearing the name “Deep Purple.” For what I consider the authoritative review, however, point your browsers at www.darkhop.com/abandon.htm. CMC International, 5226 Greens Dairy Rd., Raleigh, NC 27616

Leave a Comment

Your email address will not be published. Required fields are marked with *

Recently on Ink 19...

  • Araceli Lemos
    Araceli Lemos

    Shortly after AFI Fest 2021 wrapped, Generoso spoke at length with director, Araceli Lemos about her award-winning and potent feature debut, Holy Emy. Lemos’s film uses elements of body horror in her story about the exoticization of two Filipina sisters living in Greece and how that exploitation creates a distance between them.

  • Southern Accents 55
    Southern Accents 55

    A woofin’ good time with cuts from Hank Williams, Muddy Waters, Delta Moon and more from KMRD 96.9, Madrid, New Mexico!

  • Rosencrantz and Guildenstern are Dead
    Rosencrantz and Guildenstern are Dead

    Absurdism with a healthy dose of air conditioning.

  • Mixtape 172 :: My Old Bassist
    Mixtape 172 :: My Old Bassist

    Like pre-teens throwing every liquid into the kitchen blender and daring each other to drink the results, Woody and Jeremy fuse all manner of sounds legitimate and profane into some murky concoction that tastes surprisingly good.

  • Demons/Demons 2
    Demons/Demons 2

    Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.

  • Sylvie Courvoisier and Mary Halvorson
    Sylvie Courvoisier and Mary Halvorson

    Searching for the Disappearing Hour (Pyroclastic Records). Review by Bob Pomeroy.

  • Payal Kapadia
    Payal Kapadia

    Earlier this year, director Payal Kapadia was awarded the Oeil d’or (Golden Eye) for best documentary at the 74th Cannes Film Festival for her debut feature, A Night of Knowing Nothing. Lily and Generoso interviewed Kapadia about her poignant film, which employs a hybrid-fiction technique to provide a personal view of the student protests that engulfed Indian colleges and universities during the previous decade.

  • Roger’s and Hammerstein’s Cinderella
    Roger’s and Hammerstein’s Cinderella

    A classic children’s tale re-imagined by America’s greatest composers.

  • Taraka
    Taraka

    Welcome to Paradise Lost (Rage Peace). Review by Bob Pomeroy.

  • AFI Fest 2021
    AFI Fest 2021

    The 2021 edition of the American Film Institute’s Festival, was a total success. After mounting a small virtual festival in 2020, AFI Fest came roaring back this year with a slate of 115 films representing over fifty countries. Lily and Generoso rank their favorite features from this year’s festival which include new offerings from Céline Sciamma, Miguel Gomes, and Jacques Audiard.

From the Archives