Horizontal (Water). Review by Vanessa Bormann.
The Process of Self-Development (MIA). Review by Nathan T. Birk
Various Artists (Nitro). Review by Margie Libling.
The Secret Kingdom (Hammerheart). Review by Matthew Moyer.
Oceania (Martha’s Music/EMI). Review by Jen Cray.
Interludes For The Dead (Rhino Entertainment). Review by James Mann.
Review by Charles D.J. Deppner
Rockabilly, blues, jazz – delightful Dublin diva Imelda May put everything but the kitchen sink on the Moore Theater’s stage. Seattle hepcat Steve Stav was there to admire it all.
Because the Fuckin’ World Still Stinks… (Alternative Tentacles). Review by David Lee Beowülf
The First Seven Inches Are Always The Hardest (Diaphragm Records). Review by Carl F Gauze.
The Cult turns the House of Blues in Orlando into the House of Good Mojo, not only delivering a killer set themselves, but allowing for Florida fans to get their first taste of a brand new stage of Against Me.
Silverstein and Tonight Alive rock The Beacham!