The Robustos
The New Authentic (Beatville). Review by Julio Diaz
The New Authentic (Beatville). Review by Julio Diaz
Blue Pop (APG/Electric Kingdom). Review by Jason Feifer
Last Chance For a Thousand Years (Reprise). Review by James Mann
Underneath the Moon and… Eyelashes (Crisper Cat). Review by Marcus Leith
Toe 2000 (Truckstop/Atavistic). Review by Matthew Moyer
Various Artists (Chapter III). Review by Jason Plender
Skinnys 21 (24 Hr. Service Station). Review by Ian Koss
Pleasant Valley (Blue Note/Capitol). Review by Drew Id
Library Nations (Sub Pop Records). Review by Drew Id
_Hymnals of the Lastdays_Review by Matthew Moyer
Event Review by David Lucas
Live at the Vera (Scooch Pooch). Review by David Lee Beowülf
The Assertion of Callaberation (Napalm Ape). Review by Patrick Rafter
Shots Heard ‘Round The World (Victory). Review by Felizon Vidad
A Collection of Synthcore Cover Songs (Re-Constriction). Review by Nirav Soni
Mankind Liberation Front (Sol3/RCA). Review by Gail Worley
Volume Twelve: Summer 1999 (Darla). Review by Ian Koss
Feature
Painting the Town Brown: Ween Live ‘90-‘98 (Elektra). Review by Jason Plender
Interview by Shelton Hull
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.