Music Reviews

Nod

Radio Giddy-Up

Smells Like

Over a discussion that wasn’t so much heated as it was characterized by half exasperation and half achievement, I stumbled upon a possible reason why I’ve never liked classic rock. So sue me, I had not heard lots of albums until recently. An album took me by great surprise. Albums surprise me infrequently enough that I hunt down everything ever released by that artist. REM, Palace, the Smiths, Pavement, MazzaCane, and Neutral Milk Hotel all had the same effect.

Only recently, however, has an album surprised me so much that I felt it necessary to begin looking for records in another different arena outside of what I’ve been accustomed to. Coltrane’s A Love Supreme showed me jazz. Dylan’s Freewheelin’ Bob Dylan , Bowie’s Hunky Dory , Royal Trux’s Thank You , and the Stones’ Sticky Fingers allowed me the patience to finally appreciate classic rock. And then I heard Television’s Marquee Moon and realized there were all these albums out there that influenced all my favorite albums that I’d never heard. So I tracked down Nick Drake’s Pink Moon and Syd Barrett’s Madcap Laughs and Big Star’s first 2 albums and Wire’s Pink Flag and the Fall’s Hex Enduction Hour , and now, all I buy are old albums. And for a little while, it pisses me off that I’ve been listening to the Fall filtered through Pavement.

I bring up this point, and this guy I’m talking to agrees and traces Teenage Fanclub back through Big Star and a string of 70’s bands I’ve never heard until he landed on Led Zeppelin and then quickly traces a line from there to the deck of R. Crumb-illustrated blues playing cards I held in my hand, which all had names like Blind Joe Death or the Blind Henry Jug Band. My point is that although I knew that everything is traced back to either blues or bluegrass, it took a really solid example to fully understand and allow myself to like certain things. So when someone like Nod should happen to sound not only like Jon Spencer but also like a part of blues history that Jon Spencer and Nod are trying to keep alive, I can appreciate part of what they are doing. Luckily, I can identify the fact that I find enjoyment in dissecting this very strange form of expression, but I can also stop typing and just sit back with my mouth agape.

Smells Like Records, P.O. Box 6179, Hoboken, NJ 07030


Recently on Ink 19...

Ani DiFranco

Ani DiFranco

Event Reviews

This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.

Garage Sale Vinyl: Ian Hunter

Garage Sale Vinyl: Ian Hunter

Garage Sale Vinyl

This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.

Archive Archaeology

Archive Archaeology

Archive Archaeology

Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.

Archive Archaeology: Phil Alvin

Archive Archaeology: Phil Alvin

Archive Archaeology

Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.

A Darker Shade of Noir

A Darker Shade of Noir

Print Reviews

Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.

Garage Sale Vinyl: The Time

Garage Sale Vinyl: The Time

Garage Sale Vinyl

Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.

Lkhagvadulam Purev-Ochir

Lkhagvadulam Purev-Ochir

Interviews

During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.

%d bloggers like this: