Hey! It’s the Ramones! These kids got the leather jackets, jeans, and Chuck Taylors… the whole freaking deal. But there are no “bad” ideas on this record. No sniffing glue. No lobotomies. No sedation. Maybe that’s because they “don’t wanna go to hell.” You know, I heard it’s not so bad.
Tooth And Nail Records, P.O. Box 12698, Seattle, WA 98111-4698
Meet the people who do more than rescue dogs. They rescue older dogs who are the hardest to place.
Music reviews covering the critical years of rock and roll from 1967 to 1973 by critic and band manager Michael Oberman.
Threesome Vol. 2 (Lojinx). Review by Carl F. Gauze.
In spite of, or perhaps because of, the films’ budget and time restraints the filmography of William Grefé is not without considerable charm and which is masterfully captured in this four disc Blu-ray set from Arrow Video.
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
He’s the best-selling artist on the Billboard Blues charts, and most people don’t know his name. Who is Joe Bonamassa? Guitar Man tells you that story.
Step Into Light (33 1/3). Review by Christopher Long.
Us and Them (Earache). Review by Nirav Soni
Various Artists (Good Looking). Review by Bill Campbell.
Fabric 17 (Fabric Records). Review by Bill Campbell.
Partytime for Assholes (Liberation). Review by Nathan T. Birk
Houston, We Have a Problem (Harmless). Review by Nathan T. Birk
metal, power metal, ,Morifade,Domination,Candlelight Records,Daniel Mitchell
Noam Chomsky’s name is bound to raise hackles on the right and tears of joy on the left. His actual views aren’t as easy to pigeonhole, as James Mann attests.
Fundacion NYC (Global Underground). Review by Kiran Aditham.
Event Review by Carl F Gauze
If you’ve never seen Th’ Legendary Shack Shakers perform, try to imagine a hybrid of Jerry Lee Lewis, Iggy Pop, Jello Biafra, and Lux Interior. Jen Cray testifies.
Friends, Lies, and the End of the World (Victory). Review by Nathan T. Birk.
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