Matthew Sweet
- Music Reviews
- January 15, 2021
Catspaw (Omnivore Recordings). Review by James Mann.
Indeed she does love her computer, and it sounds like she has since the early…
Following in the footsteps of the Brit-pop icons Oasis, Travis deliver the go…
Guitar driven emotional rock crawling with shadows. Driving and unrelentless,…
A punk rock cover/tribute to the Grease soundtrack. While not near…
This time out, the brothers Holland keep it in the family, handling all instr…
If you know the Red House Painters, you know this man’s voice. Strong and mel…
Lee Ann Leach has her own slant on being a good Christian, and she’s not afraid to admit that it doesn’t always agree with the scriptures.
Roi Tamkin got the blues at this year’s Music Midtown festival in Atlanta, as he caught sets from Koko Taylor and her Blues Machine, the Fabulous Thunderbirds, the Jeff Healey Band, Kenny Wayne Shepherd, and the Allman Brothers Band.
Anne Summers is not a woman, they’re three guys. And despite what you’ll thin…
Ever since I started listening to the Dream City Film Club, I’ve been waiting…
Rip-roaring power punk direct from New York City’s new kings of performance a…
The oft-overlooked sons of the early ’90s Swedish death metal boom (which inc…
Old man punk rocker from Philadelphia carves his legacy in polycarbonate at t…
Devo themselves said it best on Now It Can Be Told, a late-’80s li…
A little bit of hardcore, a little bit of power pop, a little bit of new wave, a little bit of rock and roll, and a little bit of punk — Roi Tamkin caught an eclectic show with Sense Field, the Stereo, and Lift at Atlanta’s Echo Lounge on April 27, 2000.
I’m by no means an expert on Crossed Out, but I can relay what I know. They e…
Sometimes being on e-mail lists is a tedious process of skimming through tons…
Skatepunk from Sweden’s answer to all those interchangeable SoCal bands, flow…