It’s easy to describe Pinback if you know your reference points: Rob Crow (He…

If simple, addictive games have previously interfered with your life, then

The key word in this one is “score.” This is the score as written by Hans Zim…

Behold, the marriage between computer science and music has been officially r…

Kathleen LaGue, with Invisible Cowboy at Earthsavers in Covington, Louisiana on October 21, 2000. Concert review and photos by Phil Bailey.

The Mighty Mighty Bosstones, with the Gadjits and Flogging Molly, at the House of Blues in Orlando, FL on October 3, 2000. Concert review by Liza Hearon.

Goddamn! What A Disturbing Triple H Video! That really kind of says it all, doesn’t it? Matthew Damascus critiques the cinematic techniques of a villain’s intro video in “Bladejob”.

Transparancy :: untouched :: Saturday, December 2nd, 2000

Celebrating 18 years with its 100th release, Projekt Records is firmly established as the preeminent gothic/darkwave label in the U.S. Dave Aftandilian spoke with label head (and Black Tape for a Blue Girl member) Sam Rosenthal to learn how this niche label has thrived over the years, and how he plans to weather the emergence of the Internet.

Slobberbone are a four-piece alternative country rock combo from Denton, Texa…

This month’s surprise #2: Fear return after six years… and thankfully they …

Thank god for the United DJs of America series. In this day and age of…

Although Merriment is credited to Vic Chesnutt and the Keneipps, it is…

Walt and his “sanatation” crew really put together a funk album full of shit….

From the frigid shores of Norway comes a stellar EBM release worthy of praise…

You’ve really gotta hand it to Usurper: They’re the most “fuck you” band in m…

Blessings often arrive in strange disguises. Nada Surf’s The Proximity Eff…

Coldplay is a British rock outfit in the mold of Oasis, Travis, the Verve, an…

More skronk, less wonk. On The Dropper, John Medeski (Keys), Billy “Il…

Rhythm Motion Picture is an electronic album flavored with jazz and vo…