- Music Reviews
- October 19, 2020
Axiom (Ropeadope/ Stretch Music). Review by Bob Pomeroy.
Introducing the Denver Gentlemen (Absalom Recordings). Review by Randall J. Stephens.
House of Good Tires (Hall Of Records). Review by Roi Tamkin.
Choice Cuts (Necropolis/Deathvomit). Review by Nathan T. Birk.
James Mann attempts to run Windex over the clouded eyes of today’s youth.
Roll On (Reprise). Review by Julio Diaz.
More Life More Trouble (Abstrakt Reality). Review by Kiran Aditham.
Refreaked (Six Degrees). Review by drew West.
Creation (Reverb). Review by Marcel Feldmar.
Hal Horowitz takes an in-depth look at the legendary Neil Young’s new live album, Road Rock, and its companion DVD, Red Rocks Live. Keep on rockin’ in the free world…
Everybody’s a Rock Star Tonight (Pop Sweatshop). Review by Julio Diaz.
Karen Carpenter-Damascus and Frances Farmer say good-bye with a very special Web comic.
Despite the media blitz for Tom Green’s new movie, Freddy Got Fingered, one thing hasn’t been clear — what’s it about? John P. Wasser spills the beans, and lets you know if the gross-out flick is worth seeing.
Original Motion Picture Soundtrack (TVT). Review by Rob Ward.
Laser Beam Next Door (Checkered Past). Review by Terry Eagan.
Road To Flight (Resin). Review by Terry Eagan.
Redefining Music (Hopeless). Review by Jason Feifer.
The Orb, with Witchman at The Masquerade in Atlanta, GA on April 14, 2001. Concert review by drew West. Photos by drew West and Danny Duval.
Those Peabodys (Post-Parlo). Review by Kurt Channing.