A rather mysterious movie and an even more mysterious soundtrack. It’s borderline electronic but the spacey tunes make you feel like the butt of a joke you don’t ever get. It’s a soundtrack, and that’s where the description ends. It needs visuals to accompany it, and with almost all the songs done by one musician, it makes for an inventive but snoozy buy.
A day in the life a French woman as she invents electronica and rescues France from boring rock and roll.
A young man joins a Christian Rock band and gets the girl, and maybe a small slice of fame.
Brothers (Deluxe Remastered Anniversary Edition) (Nonesuch Records). Review by Jeremy Glazier.
Shaker girls have visions of Heaven and get kicked out of their community.
Singer Marian Anderson crashes at Albert Einstein’s place in Princeton when she can’t stay at the hotel she just sang at.
Kôji Wakamatsu’s 1967 horror film inspired by the Richard Speck nurse murders is still shocking decades later.
The story of the Florida-birthed brigade, Siren is compelling. Documenting the recent resurrection of this veteran metal band, the just-released film, “I’m Too Old For This Sh*t,” delivers an even bigger payoff message.
Larry Campbell and Teresa Williams are the subject of It Was The Music. This live event showcases live performances, interviews, and pieces of the 10 part series.
Unmeasured (Ubiquity). Review by Bill Cambpell.
13 Artists (Epic). Review by Vanessa Bormann.
Learn To Let It Go (Law of Inertia). Review by Addam Donnelly.
Pinkerton [Deluxe Edition] (Geffen). Review by Tim Wardyn.
How To Walk Away (Ye Olde Records). Review by Laura Pontillo.
A young couple toy with time and space as they wait to adopt a cat. The cat narrates.
Imperial Comet Hour (Red Ant). Review by David A Clark
Chrome (Temporary Residence). Review by Stein Haukland.
Human Conditions (Virgin). Review by Sean Slone.
Lie, Cheat & Steal / You Should Be Ashamed (Breakbeat Science). Review by Stein Haukland.
The Kills are natural born killers who slay Yifat Grizman every single time.
Something Fierce (self-released). Review by Stein Haukland.
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