Cannibal Corpse
Gore Obsessed (Metal Blade). Review by Stein Haukland.
Gore Obsessed (Metal Blade). Review by Stein Haukland.
White Lilies Island (RCA). Review by Vanessa Bormann.
Millions Of Brazilians (Southern). Review by Matt Cibula.
Monsters, Inc.: Original Soundtrack (Disney). Review by Joe Frietze.
The Ugly People vs. the Beautiful People (Manifesto / Bella Union). Review by Matt Cibula.
Pollensongs (My Pal God). Review by Terry Eagan.
Souled Separately (Melatone). Review by Bettie Lou Vegas.
Live in a Dive (Fat). Review by Eric J. Iannelli.
In a chat with drummer Mark Ortmann, Sean Slone discovers why all the songs on The Bottle Rockets’ new album remain the Sahm.
Volume 3 (R.A.F.R.). Review by Daniel Mitchell.
Last Line of Defense (Too Damn Hype). Review by Daniel L. Mitchell.
Easily Lost in the Present (Hyphenated American / Ambiguous City). Review by Stein Haukland.
Action Packed: The Best of Jonathan Richman (Rounder). Review by Matt Cibula.
Long Wires In Dark Museums (Vol. 1 North Island) (Emperor Jones). Review by Matthew Moyer.
In @ the Deep End (Good Looking). Review by Bill Campbell.
Tron: Original Motion Picture Soundtrack (Disney). Review by Ben Varkentine.
Herbie Hancock at the 9:30 Club in Washington, DC on March 28, 2002. Concert review by Bill Campbell.
Eternally Hard (Righteous Babe). Review by Stein Haukland.
Step 1: Acknowledge You Are Part of the System (Capitol). Review by Matt Cibula.
No Means Yes (Two Sheds). Review by Bettie Lou Vegas.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.