Imagine a Smiths cover band without Johnny Marr or Morrissey, but with Brad Roberts from Crash Test Dummies’ voice singing over cello and piano. If that sounds to your taste, bon appetit. Me, I’ll keep waiting.
Saeta: www.saetamusic.com
Blue Eyed Soul (BMG Rights Management (UK) Ltd). Review by Jeremy Glazier.
A love of gospel music gave Art Rupe his start in the music business. It lead to Specialty Records and his cast of Hall of Famers.
Lily and Generoso select their ten favorite features, a collection of supplemental films, and a best repertory release of 2019.
The horror-comedy classic gets new life in this Blu-ray reissue.
The Spitfire Grill is a sprightly musical with heart, soul and some decent side dishes.
The Little Woman have all grown up and now deal with grown-up issues like marriage and spinsterhood, and how wonderful owning a Proper English Estate might be.
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
I Want Us to Be Remembered. Review by Carl F Gauze.
Born Under a Bad Sign (Stax). Review by James Mann.
The Gang’s All Here (Hellcat). Review by Julio Diaz
The Impossible Thrill (Astralwerks). Review by Terry Eagan.
After a decade of bad feelings, Max Cavalera and his brother Igor reunited onstage and performed some Sepultura classics, thus whetting death metal fans’ already-rabid appetite worldwide for the reunion they said would never happen. Jen Cray spoke with Max in the midst of a tour with his current project, Soulfly to inquire about such possibilities.
Diabolus in Musica (American/Columbia). Review by Drew Id
Snakedressed (C.O.P. International). Review by drew West
David Lee Beowulf’s fond remembrance of ten years of Ink 19 history continues, with the early days just underway…
With the Wild Crowd: Live in Athens GA (Eagle Rock Entertainment). Review by Al Pergande.
Electrasy at the Masquerade in Atlanta, GA on October 13, 2000. Concert review and photos by Andrea Thompson.
In scant years and forty-nine releases, Kindercore has built a reputation it …
Print Review by Brian Shelley
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