Imagine a Smiths cover band without Johnny Marr or Morrissey, but with Brad Roberts from Crash Test Dummies’ voice singing over cello and piano. If that sounds to your taste, bon appetit. Me, I’ll keep waiting.
Saeta: www.saetamusic.com
Music reviews covering the critical years of rock and roll from 1967 to 1973 by critic and band manager Michael Oberman.
Threesome Vol. 2 (Lojinx). Review by Carl F. Gauze.
In spite of, or perhaps because of, the films’ budget and time restraints the filmography of William Grefé is not without considerable charm and which is masterfully captured in this four disc Blu-ray set from Arrow Video.
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
He’s the best-selling artist on the Billboard Blues charts, and most people don’t know his name. Who is Joe Bonamassa? Guitar Man tells you that story.
A biopic of Jeffery Dahmer, Milwaukee’s most famous mass murderer. Not for the faint of heart.
Still (Thrill Jockey). Review by Jason Plender
Split EP (Level Plane). Review by Daniel Mitchell.
Where Shall You Take Me? (Secretly Canadian). Review by Chad Perman.
Wilderness stops three hours from where Aaron Shaul lives and he is fully committed to leaving the city to find them and prog rock salvation.
American Folk Horror (Estrus). Review by Terry Eagan.
Occupational Hazard (Relapse). Review by David Lee Beowülf
Amaterasu (Hidden Agenda). Review by Aaron Shaul.
Everybody loves a trainwreck, and when it happens in Genoa, it’s irresistible. Carl F Gauze pauses to gawk.
Everything is illuminated in Nina Davenport‘s inside peek at the nutty world of Hollywood filmmaking.
There Is A Moth In Your Chest (Dovecote). Review by Jen Cray.
This classic surrealist punk-rock, low-budget, lo-fi movie by the entire Mystic Knights of the Oingo-Boingo family returns in color, black and white and covered in a delicious Special Sauce of bonus features.
Just One Wish (Shanachie). Review by Dave Aftandilian.
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