Imagine a Smiths cover band without Johnny Marr or Morrissey, but with Brad Roberts from Crash Test Dummies’ voice singing over cello and piano. If that sounds to your taste, bon appetit. Me, I’ll keep waiting.
Saeta: www.saetamusic.com
Presented at the 30th Florida Film Festival, Maitland FL
Shakespear’s fluffiest play presented “in the Park.”
Live music is making a come back. Grace Potter is testing the socially distanced waters with a series of East Coast solo shows.
April was National Poetry Month, but in 8th grade Language Arts, mastering the use of poetic devices isn’t necessarily the most important thing about the poetry unit.
Let The Bloody Moon Rise (Nervous Kid Records). Review by Andrew Ellis.
The Day Deserved (Drop Autumn Records). Review by James Mann.
Ralph Stanley (DMZ / Columbia). Review by Matt Cibula.
With catchy lyrics and humble attitude, the guys of Fat City Reprise are on their way to something big. Brittany Sturges hangs with the guys in the studio.
Anima Animus (Instinct). Review by Geoff Baumgartner
Bill Wolford’s Head (Innova/American Composer’s Forum). Review by Anton Wagner
Lo-fi indie rock techno hip hop sugar sweet pop. Samples flow like soda water…
Dennis Brown in Dub (Heartbeat). Review by Bill Campbell.
Beautiful Awakening (MVG). Review by Andrew Ellis.
Harold Eggers account of his life with Townes Van Zandt is equal parts hilarious…and haunting.
River of Crime (Cordless). Review by Carl F Gauze.
The Eighties were the golden age of Nintendo, Sega and Atari and the most consistently ridiculous and entertaining concepts in video game history. I Am 8-BiT collects art pieces inspired by this era. Aaron Shaul wishes there were more Konami and Capcom.
Various Artists (Triple Crown). Review by Julio Diaz
Ken Stott returns as the hard-drinking, hard-smoking, DI John Rebus for a second set of mysteries, based on the books by Ian Rankin. This series sees Rebus dealing with complex ciphers, underworld bosses, duplicitous businessmen, and dead cats, along with the requisite murders in each episode. Joe Frietze gives his best good cop/bad cop.
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