Imagine a Smiths cover band without Johnny Marr or Morrissey, but with Brad Roberts from Crash Test Dummies’ voice singing over cello and piano. If that sounds to your taste, bon appetit. Me, I’ll keep waiting.
Saeta: www.saetamusic.com
Live at Goose Lake, August 8th, 1970 (Third Man Records). Review by Scott Adams.
A darling love story with engaging characters and one of the worst titles ever.
One families indifference and abandonment gave America its greatest failure. Mary Trump explains how.
In rural England, a cranky woman bonds with and evacuee boy and uncovers a strange connection to her past.
These geniuses of early comedy finally get the presentation they are due in this Blu-ray edition.
No need to worry about offending delicate sensibilities with this playlist. We’re not talking about profanity, so just take the title at face value.
Former Genesis guitarist, Steve Hackett shares his life story in his story in an engaging and honest memoir. Reading his story feels like hanging out with a friend who’s interested in sharing how he felt living these experiences.
When you’re in 8th grade, sneaking into a bar is way cooler than it is when you’re 40.
Ivory is the color you hear. Eighties synth-pop mixed in little, bite-sized h…
The Yawn of the New Age (Vendlus Records). Review by Matthew Moyer.
Cashing in on the current classic albums craze, Styx returned to Melbourne, Florida to recreate two best-selling records in one hit-filled evening that had Chris Long enthralled.
Austin City Limits Music Festival 2003 Collection (New West Records). Review by Joe Frietze.
Pennsylvania (Tim Kerr). Review by Richard T. Thurston
Gear Review by Mark Ruffolo
The Great Communicators, The Interpreters, The Non-Believers (Polyvinyl). Review by Tom Minarchick
Every year, Sean Slone makes a mix CD that sums up the year in music. Here’s a look at the 19 tracks that make up this year’s mix.
Boredom and Terror (Omnibus). Review by Stein Haukland.
In Chrysalis (Initial). Review by Keith Mercer
They Make Beer Commercials Like This (Arena Rock). Review by Aaron Shaul.
The Front Bottoms surprise promoters and fans alike with their meteoric rise. Jen Cray jumps in on the action to catch them before they rise too high.
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