And you thought chewing bubble gum/drawing Milhouse could never be exciting. Hey Henry, what would you say if I told you people on YouTube were using your music to score their three minute videos of the most inane, boring, and pointless crap? Well, I’d say, “ALLLLRIIIIIGHT!!”
Presented at the 30th Florida Film Festival, Maitland FL
Shakespear’s fluffiest play presented “in the Park.”
Live music is making a come back. Grace Potter is testing the socially distanced waters with a series of East Coast solo shows.
April was National Poetry Month, but in 8th grade Language Arts, mastering the use of poetic devices isn’t necessarily the most important thing about the poetry unit.
Let The Bloody Moon Rise (Nervous Kid Records). Review by Andrew Ellis.
Even for the likes of the mega-successful John Mayer or David Gray, being a singer songwriter is a sometimes lonely, often difficult vocation and it’s even harder as an independent artist. Andrew Ellis finds out about life as a solo artist at the other end of the spectrum with Atlanta-based Chuck Carrier.
Various Artists (A & M). Review by Ian Koss
Re Imaginos (RockHeart Records / Deko Entertainment). Review by Christopher Long.
A frustrated L.A. couple take their barking dog out to the country to find a sustainable, organic farmstead.
Decline of the West Vol. I & II (Partisan Records). Review by James Mann.
The Sea And The Rhythm (Sub Pop). Review by Matthew Moyer.
Listen to the Night (StarTime). Review by Anton Wagner.
Films For Radio (Back Porch). Review by Dave Aftandilian.
The story continues. Have you been following? From last year’s release of [[I…
The Violent Years (Sub Pop). Review by Matthew Moyer.
Terry Eagan examines Louise Erdrich’s new novel, The Last Report on the Miracles at Little No Horse, a profound meditation on identity and faith.
Spain,Spainish sad-core,slow-core,indie,Aroah,The Last Laugh,Acuarela ,Aaron Shaul
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