Music Reviews
31 Knots

31 Knots

The Days and Nights of Everything Anywhere

Polyvinyl

It’s hard to believe that bands are still being affected by the post-electro movement in rock that Radiohead wrought with Kid A. It’s been seven years, but the reinventions with subtle (and not so subtle) nods to technology just keep coming. Such is the case with 31 Knots’ The Days and Nights of Everything Anywhere. Prior to this release, 31 Knots were an untested quantity for me, though I’d heard they were fine math rock act. The roots of those compliments can be heard throughout this album, there are just too many questionable forays into unnecessary sounds. Check the breakbeat that ushers in “Beauty” or the squelching burbles and jagged cut-and-paste flow of “Hit List Shakes,” both of which feel like awkward, electronically bent garnish that are woven into the band’s template of off-kilter arrangements. There’s a fine line between mashed up and messed up. More often than not, the group’s experiments fall closer to the latter. Look no further than the ska horns and whistle punctuation on “Savage Boutique” for the worst offender. That said there are some outright winners here and there. “Sanctify,” with its looped boiler room percussion and helium-high chorus treads close to Animal Collective’s carnival grounds and is by far the leader of the pack. The song’s success is a result of the band focusing on writing in one kind of genre instead of spanning the spectrum. If the sonic explorations continue on their next album, let’s hope they head in this direction rather than aiming to become math rock’s Beck.

Polyvinyl Records: http://www.polyvinyl.com


Recently on Ink 19...

Joana Pimenta

Joana Pimenta

Interviews

Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.

ATLive 2022 with Billy Joel

ATLive 2022 with Billy Joel

Event Reviews

Country/rock mashup series ATLive brings Roi J. Tamkin to Atlanta’s Mercedez Benz Stadium for a night of standing ovations starring The Piano Man, Billy Joel.

Miryam Charles

Miryam Charles

Interviews

Director Miryam Charles’s compelling and personal hybrid documentary feature debut, Cette Maison, was a favorite of Lily and Generoso’s at AFI Fest 2022. They spoke at length with Charles during the festival about her film, which examines the emotional impact resulting from her young cousin’s death.

Flaming Ears

Flaming Ears

Screen Reviews

Set in the year 2700 in the imaginary city of Asche, Flaming Ears is a daring micro-budget sci-fi film from 1991 that envisioned a dystopian urban landscape that now seems eerily familiar. Lily and Generoso share their thoughts on the film’s new 4K restoration.