Event Reviews
Lindsey Buckingham

Lindsey Buckingham

The Plaza Live Theatre, Orlando, FL • August 7, 2012

With its elegant, classic-style intimate atmosphere, including long-flowing black velvet stage curtains, tasteful lighting, state-of-the-art audio production, padded seats, and oh so courteous staff, the 1,000-seat Plaza Live Theater undeniably is Orlando’s premier concert venue. Furthermore, there would be no opening act or back-up band tonight. The ticket read simply: Lindsey Buckingham – Solo and Acoustic – ah, a superb scenario, indeed, in which to experience a live performance from a truly iconic singer, songwriter, and musician.

Lindsey Buckingham

Handsomely dressed in classic tight-fitting Levi’s jeans with a black T-shirt and fashion-forward black leather jacket, the dashing and svelte sixty-two-year-old Buckingham took the stage shortly after 8pm. Without saying a word, the legendary guitarist approached the microphone and bowed his head graciously to the sell-out crowd amid a storm of thunderous applause as he broke into the show’s opener, “Cast Away Dreams,” from his 2006 album Under the Skin.

Despite the advertised implication to the contrary, this performance was anything but laid back. Even Buckingham’s acoustic guitars were electrified hot rod models, and his passionate, high-energy delivery was more in line with that of a member of a mega-band performing at an “Enormo Dome” than a solo artist performing in a theater setting.

To most of his legion of adoring fans, Lindsey Buckingham is known as the nuts and guts behind the platinum-selling rock band, Fleetwood Mac. However, this show provided little, if any, nostalgia factor. Boldly displaying his signature multi-finger picking style, Buckingham made even lesser-known solo tunes such as “Not Too Late,” “Shut Us Down,” and “Seeds We Sow” as compelling and engaging as his much-loved (and revamped) Fleetwood Mac classics, including “Big Love,” “Bleed to Love Her,” and the Rumours double-whammy of “Never Going Back Again” and “Go Your Own Way.”

Choosing simply to let the music do his talking, Buckingham did offer his audience a few heartfelt and insightful personal back stories and industry-related observations along the way (e.g. acknowledging his well-known personal and professional relationship with former girlfriend and bandmate Stevie Nicks as well as discussing Fleetwood Mac’s “big machine” status versus the “small machine” value of his solo work).

The late Godfather of Soul, James Brown, was known during his career as the “Hardest-Working Man in Show Business,” but I believe that title now belongs to Buckingham’s guitar tech. Offering a different freshly-tuned axe for each and every song, this fellow clearly was a top-notch ace, and he handled his responsibility masterfully throughout the seventy-minute show, shining as the night’s possible MVP.

Although Buckingham succeeded in connecting with his audience on his own solo chartbusters such as “Go Insane” and “Trouble,” it was his powerful and chilling rendition of Fleetwood Mac’s 1975 blues-inspired album cut “I’m So Afraid” that truly brought the house down.

Gracious and charismatic, Lindsey Buckingham delivered in spades and further proved exactly why he remains in a league of his own. A dynamic class act, to be sure.

Lindsey Buckingham: http://lindseybuckingham.com


Recently on Ink 19...

Garage Sale Vinyl: Linda Ronstadt

Garage Sale Vinyl: Linda Ronstadt

Garage Sale Vinyl

This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.

Sweeney Todd

Sweeney Todd

Archikulture Digest

A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.

Garage Sale Vinyl: KISS, The Solo Albums

Garage Sale Vinyl: KISS, The Solo Albums

Garage Sale Vinyl

This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.

Borsalino

Borsalino

Screen Reviews

Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).

Weird Science

Weird Science

Screen Reviews

Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.

City of the Living Dead

City of the Living Dead

Screen Reviews

Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.

%d bloggers like this: