In Letter Form
Fracture. Repair. Repeat. (Metropolis). Review by Carl F Gauze.
Fracture. Repair. Repeat. (Metropolis). Review by Carl F Gauze.
Let Me Hang You (Khannibalism/Ernest Jenning Record Co.). Review by James Mann.
On The Shoulders of Giants. Review by Carl F Gauze.
Blonder and Blonder (Omnivore Recordings). Review by Laura Pontillo.
Red Clay Soul (Heartfixer Music). Review by Michelle Wilson.
letlive. give a still healing Orlando, and Jen Cray , a reason to enjoy the night.
This thoughtful and well-documented text explores the history of dark comedy in film through the perspective of Charlie Chaplin’s work and his movies about war.
Urinetown: The Musical - posted by Carl Gauze on July 03, 2016 16:27
The World Goes ‘Round - posted by Carl Gauze on July 01, 2016 16:29
Afro-Haitian Experimental Orchestra (Glitterbeat). Review by Bob Pomeroy.
New Mourning (Jet Fighter Records). Review by Christopher Long.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.