Screen Reviews
Raiders of the Lost Ark – The Adaptation

Raiders of the Lost Ark – The Adaptation

directed by Eric Zala

Rolling Boulder Films

Days after writing my review for Raiders!, I was lamenting that I would probably never see the fan film that the documentary was based on. Due to the vagaries of intellectual property, trademarks, copyrights, and large corporations, I was sure that there would never be a formal release of the Adaptation. The only way I would be able to see it would be at a convention or film festival, and according to the RaidersGuys website, their tour was not coming to Memphis. Imagine my surprise when that weekend, I noticed a Facebook post from the Indie Memphis Film Festival about a screening of Raiders of the Lost Ark – The Adaptation at their youth film festival. It was a perfect fit. I bought tickets immediately.

The Adaptation is everything I expected – low quality video, poor audio, impressive visual/special effects, and a whole lot of heart. The amount of care put into this fan film made over seven summers in the Eighties is phenomenal. The sets are detailed. The costumes range between comical and fantastic. The acting… well, the acting is a bunch of teenagers with no training. It’s adorable and silly, most of the time. But some of the scenes, especially between Chris Strompolous as Indy and Angela Rodriguez as Marion, are surprisingly powerful. As a fan, you know what is coming, and are pleasantly surprised at the gravity portrayed.

As noted in the Raiders! review, there was one scene that was never finished when they were kids. SPOILER Warning for Raiders! – They did complete the infamous Airplane Scene a couple of years ago and integrated it into the Adaptation. The jarring change from 4:3 grainy home video to 16:9 high definition digital is one thing, but the change from teenagers to actors twenty five years later is amazing. It’s a true testament to the heart of the film makers that the primary actors all returned for the new scene – Indy, Marion, Belloq, and Dietrich – and that the chemistry between them was still present. The sets and props are top notch this time around, and the special effects and pyrotechnics are spectacular. So much so, that I was worried the rest of the film would be a let down. I needn’t have worried. After switching back to the home video footage, we still have the impressive truck scene, the scenes on Katanga’s boat and the German “U-Boat”, and of course, the special effects laden climax with the Ark.

All told, this was a very fun movie to watch, especially with an audience. There was laughter, groans, and thunderous applause. Afterwards, Chris (Indy/Producer) and Eric Zala (Belloq/Director) held a Q&A session for the audience and stayed around for a meet and greet afterwards. This was the second to last stop on their current tour, but keep an eye out on their website for future dates. The Adaptation is an important film. It shows what is possible, even far away from Hollywood, if no one tells you that something can’t be done. These kids had very little in the way of resources, but they had spare time, passion, and support from their friends and family. They also had very limited entertainment options back then. No constant distractions from the Internet, tablets, and smart phones. This boredom led to creativity. This creativity has stuck with them their entire lives. Parents, teachers, and anyone with kids in their lives can use this to inspire the next generation of artists. And now The Adaptation is available on DVD at the RaidersGuys website. Sure, it’s not the same as seeing it with a theater full of fans, along with the star and director, but it’s still a memorable experience.

http://www.raidersguys.com


Recently on Ink 19...

Archive Archaeology

Archive Archaeology

Archive Archaeology

Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.

Archive Archaeology: Phil Alvin

Archive Archaeology: Phil Alvin

Archive Archaeology

Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.

A Darker Shade of Noir

A Darker Shade of Noir

Print Reviews

Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.

Garage Sale Vinyl: The Time

Garage Sale Vinyl: The Time

Garage Sale Vinyl

Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.

Lkhagvadulam Purev-Ochir

Lkhagvadulam Purev-Ochir

Interviews

During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.

Garage Sale Vinyl: Bonnie Raitt

Garage Sale Vinyl: Bonnie Raitt

Garage Sale Vinyl

Ever-focused on finding (affordable) vinyl treasures, Christopher Long returns this week with his latest gem — a reasonably well-cared-for LP copy of The Glow, the 1979 studio classic from Bonnie Raitt.

%d bloggers like this: