Keb’ Mo’
Oklahoma (Concord Records). Review by Michelle Wilson.
Oklahoma (Concord Records). Review by Michelle Wilson.
She is woman, and I heard her roar.
If you get a heart transplant, do you really want to meet the donor’s family?
Reminders (Golden Twine Music). Review by Stacey Zering.
As Gods Are Skinned et al…. Review by Steven Garnett.
The great Teruo Ishii directed this hyper splatter masterpiece.
He was the creative driver of the original incarnation of The Guess Who, and the originator of Bachman-Turner Overdrive. For Canadian rock fans, he is an icon, but for American fans, he’s just “oh yeah, that guy.”
Dublin musicians meet, fall in love, and try to crack the big time in music.
Chasing Lights (Thirty Tigers). Review by Jeremy Glazier.
If the LAPD is hassling your punk rock show, move it out into the desert and bus the punks out to party in peace.
Solstice (New West Records). Review by Bob Pomeroy.
Winter. Review by Stacey Zering.
Catching up on some video reviews and finding some hidden treasure on streaming.
Electronic Voyages: Early Moog Recordings 1964-1969 (Waveshaper Media). Review by Carl F. Gauze.
Seen Enough Leavers (Cranky Heartburn Music). Review by Michelle Wilson.
A midlife crisis attacks the otherwise idyllic marriage of Annie and Steve.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.