Wire
Mind Hive (Pink Flag). Review by Scott Adams.
Mind Hive (Pink Flag). Review by Scott Adams.
Pretend. Review by Stacey Zering.
48 Seconds (Phil Lanzon Ditties). Review by Carl F. Gauze.
A young woman scarred in an accident tries for a miracle and gets a guy who loves her.
Peace In Pieces (Intercept Music). Review by Michelle Wilson.
Six women sing 60 or so songs from the 60’s.
The Corner. Review by Stacey Zering.
A long night’s journey in the Restoration
The Breakthrough gangs takes us back to the early ‘90’s in this excellent evening of Broadway tunes.
Good Good Man (Disismye Music). Review by James Mann.
The New Wrong Way. Review by Bob Pomeroy.
Fine Line (Columbia Records). Review by Christopher Long.
John Wesley Powell lost an arm in the war, but still runs the Colorado river from Wyoming to Nevada with an all-female cast.
Closer. Review by Stacey Zering.
Chekov’s tale of family disintegration reappears in the late 20th century.
Take It Easy (Sign Records). Review by Carl F. Gauze.
Henry the Second nears the end of his life, and he sets his sons against one another for the crown.
Orlando’s greatest pianist breaks the comedic wall with this cabaret featuring actual Doctor Demento Hits.
A genius of American guitar is profiled in this highly recommended documentary.
King Orange. Review by Stacey Zering.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.