Sweet Crude
Officiel//Artificiel (Verve Forecast). Review by Bob Pomeroy.
Officiel//Artificiel (Verve Forecast). Review by Bob Pomeroy.
Best Of (Craft Recordings). Review by Christopher Long.
Looking at the Sea. Review by Stacey Zering.
It’s edgy and manic and insistent, and it’ll surely drive your lunatic friends to ask you who is making that racket. Make sure you tell them Clifffs is spelled with three Fs.
Straight outta Staten Island, the Budos Band has enough energy to power a nuclear submarine for seven months, allowing it to circumnavigate the globe three and a half times.
Twix and Dive (La Tempesta). Review by Scott Adams.
A video streaming service replicates the ’90s with a revival and expansion of the cult TV show Night Flight.
How are musicians coping with a world without stages. Bob Pomeroy talked to a few of his favorites who have turned to streaming shows to get some answers.
This Is Me. Review by Stacey Zering.
Generoso reviews Tommaso, the provocative new feature from director Abel Ferrara (Bad Lieutenant, Pasolini), which stars Willem Dafoe and Christina Chiriac.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.