Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Let’s leave 2020 in our rearview, shall we?
Jeremy Glazier talks to filmmaker Scott Rosenbaum about his documentary Sidemen: Long Road to Glory, the story of three obscure but legendary blues musicians.
Lick (Flesh Fury). Review by Carl F. Gauze.
Slipknots Through A Looking Glass (Pyroclastic Records). Review by Bob Pomeroy.
Mr. Cool. Review by Stacey Zering.
Lily and Generoso select and review their ten favorite features, five supplemental films, and prized repertory releases of 2020.
Golden (Annie O’Malley). Review by Christopher Long.
If you got The Nude Party to perform at your next get-together, it would be the kind of shindig that produces two marriages, three break-ups, and gossip for years to come.
The sounds of Moog synthesizers have been the future of music for a good part of our past now. Julius C. Lacking takes a look at this comprehensive guide.
Accelerate Every Voice (Pyroclastic Records). Review by Bob Pomeroy.
Guitarist Robert Evan Trop of Beach Viper discusses his influences and growing up on Elvis.
Material Flats (Fine Alpinist Records). Review by Bob Pomeroy.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.