Team up the director of Donnie Darko with The Rock and Sarah Michelle Gellar for an epic length, surreal look at the apocalypse and you get a box office bomb and a cult classic. This blu contains the original and the mythic “Cannes Cut” .
RIYL: RIchardKelly, SarahMichelleGellar, #TheRock, DonnieDarko, CultFilms, CultMovies, ArrowFilms, ArrowVideo
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Here’s the straight skinny on day two of the Orlando International Fringe Theatre Festival, from Carl F. Gauze.
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.
America’s favorite anti-heroes shoot their way out of life and into the the realms of history in Theater West End’s Bonnie & Clyde.
Yacht Rock Revue sailed smoothly into Orlando, and Michelle Wilson climbed aboard for a light rock extravaganza.
Electronic music creator Herb Deutsch looks back to the early days of synthesizers in the first installment of Moog’s original series, GIANTS.
Don’t Let The Sunlight Fool Ya (Pirate Press Records). Review by Bob Pomeroy.
Ever since I started listening to the Dream City Film Club, I’ve been waiting…
Split 7” (McCarthyism). Review by Daniel Mitchell.
Milk For Your Motors. Review by May Terry.
The Serpent’s Gold (Earache Records). Review by Matthew Moyer.
Never Mind the Bhangra (Here’s the Opium Jukebox) (Underground). Review by Kurt Channing.
Vol. 1 (Slash/Bigg Massive). Review by Stein Haukland.
Winterland (EastWest). Review by Phil Bailey
Pam Grier escapes a prison chained to a white girl revolutionary in Black Mama, White Mama.
Using the blog format as a literary device is an innovative gambit, and Ian Koss is suitably impressed with the results in Jim Munroe’s new novel. This also answers the question about what to do when you’re young and you’ve got a winning occult ritual/performance art piece – go on tour with indie bands!
Travels (Hitchhike Records). Review by James Mann.
Every Damn Time (Alive). Review by Jen Cray.
Various Artists (Initial). Review by Brian Kruger.
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