Guji
Guji Guji (Godless America). Review by Bob Pomeroy.
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Guji Guji (Godless America). Review by Bob Pomeroy.
Yonder (Electric Muse). Review by Bob Pomeroy.
Reckless Thoughts (Crooked Crown). Review by Christopher Long.
Juke Box Gypsies. Review by Carl F. Gauze.
Minefields. Review by Judy Craddock.
Wicked Jaw (Captured Tracks Records). Review by Christopher Long.
I Got Me. Review by Ian Koss.
The Way To You (Anzic Records). Review by Bob Pomeroy.
Frontier’s Edge (Diamond West). Review by Bob Pomeroy.
Broken Gargoyles (Intravenal Sound Operations). Review by Bob Pomeroy.
“I’m the Man” (New Machine Recordings). Review by Stacey Zering.
Live in 1967: Volume Three (Forty Below Records). Review by Bob Pomeroy.
The Gennett Suite (Patois Records). Review by Bob Pomeroy.
Renderings (Summit/MAMA Records). Review by Bob Pomeroy.
It All Goes Up (Black Mesa Records). Review by Christopher Long.
They Live in My Head (Wharf Cat Records). Review by Bob Pomeroy.
A Place for Bass: Chamber Jazz Duets. Review by Stacey Zering.
Drive It Like It’s Stolen (Blood Harmony). Review by Andrew Ellis.
Quiet Fire. Review by Stacey Zering.
We Choose Love. Review by Stacey Zering.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).