ICOS
Incurable Contact (SlipDisc). Review by Cindy Rivers
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Incurable Contact (SlipDisc). Review by Cindy Rivers
The 4-Track Manifesto (Wide Open). Review by Matt Haas
A Radio Benefit CD of Chicagoland Ska (Jump Up! Ska). Review by Julio Diaz
Years of Fire (Toybox). Review by Brian Shelley
Extra Virgin (RCA). Review by Phil Bailey
Whisper (BMG). Review by David A Clark
An Eclectic Compilation of New Music (World Domination). Review by Anton Wagner
Low Estate (A&M). Review by Tim Mashburn
Telepathic Last Words (TVT). Review by George Jegadesh
Planet of the Wolves (Matador). Review by Matt Haas
Jesus Lizard (Jetset). Review by Charles D.J. Deppner
Let’s Play House (Tooth & Nail). Review by David A Clark
Shut up and Play (Double Play). Review by David Lee Beowülf
Danzonemos (Candela/Tinder). Review by Sarah Ludwig
_Crustaceans_Review by Brian Kruger
_Food For Kings_Review by David Lee Beowülf
Take the Battle to the Streets (Knock Out). Review by David A Clark
Volume 1 (Nettwerk). Review by drew West
Days of Purgatory (Century Media). Review by Jeremy Wernow
Cellophane (Virgin). Review by David Lee Beowülf
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.