- Event Reviews
- March 22, 2019
The Talbott Brothers are well worth seeking out, according to Jeremy Glazier.
The winner of the Golden Bear at the 2018 Berlinale, Touch Me Not, Adina Pintilie’s experimental feature, challenges conventions while examining the fear of intimacy.
Dick Cavett gets inside the comic mind of Robin Williams, Richard Lewis, Bobcat Goldwait, Gilbert Gottfried and more.
Train (Semafore Music). Review by Stacey Zering.
Carnival Barkers (Cleave Recordings). Review by Bob Pomeroy.
Forever (Juniper Records). Review by Stacey Zering.
The Sybil EP (Mutant Cat Records). Review by Bob Pomeroy.
Guillermo del Toro gives a new look at gothic horror in Crimson Peak.
From Memphis to New Orleans – Songs From Robin Hood Lane (Bar/ None). Review by Bob Pomeroy.
He’s produced everyone from Herbie Hancock to Soundgarden. Michael Beinhorn tells about the art of music production.
Psychedelic Country Soul (Omnivore Recordings). Review by James Mann.
Rosa Parks: Pure Love. An Oratorio of Seven Songs (TUM Records). Review by Bob Pomeroy.
Tales From The West. Review by Michelle Wilson.
Riverland (Red Beet Records). Review by Jeremy Glazier.
Encore (Island Records). Review by Bob Pomeroy.
For his 47th feature, The Image Book, which won the first Special Palme d’Or at Cannes, Jean-Luc Godard continues to evolve cinematic language as he searches for the meaning and truth of image and sound.
Got It Togehter! (Future Fossil/Smog Veil Records). Review by Bob Pomeroy.
Quiet Signs (Mexican Summer). Review by Christopher Long.
The King of Cult Movies gives us pinky violence with this Japanese classic.