- Archikulture Digest
- November 17, 2019
Drugs tear families apart, even as they try to tape them back together.
Let Anita Ekberg and director Giulio Berruti introduce you to the nunspolitation genre with Killer Nun.
One of the most highly regarded works to screen at this year’s Locarno Film Festival was Quý Minh Trương’s The Tree House (Nhà cây), a documentary that dramatically utilizes a science fiction lens to simultaneously examine the cultures of multiple ethnic groups in Vietnam while compelling the audience to question the contemporary importance of visual documentation.
Continuous Pleasures (Arevarc Records). Review by Bob Pomeroy.
They’re Coming For Me (Hi-Style / Free Dirt). Review by Bob Pomeroy.
Under The Wheels: Live From The Coasts, Volume 1 (Silver Current Records). Review by Michelle Wilson.
Endure (Pravda). Review by Bob Pomeroy.
Sugar Drops (Red House Records). Review by Michelle Wilson.
Carnage Bargain (Suicide Squeeze). Review by Bob Pomeroy.
War In My Mind (Provogue/Mascot Label Group). Review by Michelle Wilson.
Graveyard Island (Hellcat). Review by Scott Adams.
The Dream and the Dreamer (Anti Records). Review by Jeremy Glazier.
Generoso reviews the astute and prophetic feature, No Place Like Home, Jamaican director Perry Henzell’s long-awaited follow up his cult classic, The Harder They Come, which has been recently restored and is celebrating a short theatrical run and Blu-ray release.
Misty Morning Dew. Review by Michelle Wilson.
ALS has claimed the life of The Muff’s co-founder. Laura Potillo recalls the influential rocker.
Malfunction. Review by Christopher Long.
Up and Rolling (New West Records) Review by Jeremy Glazier.
Shell of a Girl (Hen House Studios). Review by Bob Pomeroy.
Turtle Dreams. Review by Stacey Zering.
Still disturbing, this ’70s indie film gets revisited in Blu-ray.