- Music Reviews
- November 20, 2018
Straightjacket (Ruf Records). Review by Jeremy Glazier.
Counterparts and friends rocked the Soundbar in Orlando!
Director John Landis started his legendary career with Schlock!. The legend came later.
An evil rabbit takes a young man on a horrible journey.
The later films of the horror legend are collected – for good or ill – on the Boris Karloff Collection.
Shake The Spirit (RCA). Review by Jeremy Glazier.
My Mother Doesn’t Know I’m on the Stage (Omnivore). Review by Bob Pomeroy.
Louisville’s Second Annual Bourbon & Beyond Festival promised to be the two-day event of the year, but Mother Nature had other plans. Check out Michelle Wilson’s full recap.
Poor Until Payday (Family Owned Records). Review by Jeremy Glazier.
Frozen Flowers Curse the Day (Trace Elements Records). Review by Bob Pomeroy.
The Irresistible Art Of Space Colonization And Its Mutation Implications (Transmutation). Review by Carl F Gauze.
Bloody Spear at Mount Fuji is a surprising take on the Samurai film.
Leonard Cohen and Eric Lerner shared an interest in Zen and much more in their forty-year friendship.
Get Your Groove! (American Showplace Music). Review by Michelle Wilson.
The Eclipse Sessions (New West Records). Review by James Mann.
Horrors of Malformed Men begs for a Midnight Movie release.
Soulfire Live! (Wicked Cool Records). Review by Bob Pomeroy.
New Wave Rockers Midge Ure and Paul Young brought their co-headlining tour to Orlando, and Michelle Wilson was there to enjoy two of her favorites from the ’80s.
High Water I (Eagle Rock Entertainment). Review by Jeremy Glazier.
Shades (Mascot Label Group/Provogue). Review by Michelle Wilson.
My American Dream (Thirty Tigers). Review by Andrew Ellis.