The Dingees
Armageddon Massive (BEC Recordings). Review by David Lee Beowülf
Music, media, and thought from the Ink 19 editorial team
Armageddon Massive (BEC Recordings). Review by David Lee Beowülf
Smalltown Poets (Ardent/Forefront). Review by James Mann
BLUE (Capitol Records). Review by Charles D.J. Deppner
Play The Fools (Hit House). Review by Lips Fresno
Hitler Bad, Vandals Good (Nitro). Review by Lowly Intern Brett Martin
Feature by David Lee Beowülf
Domestic Blues (E-Squared). Review by James Mann
The Getaway People (Tangerine/Columbia). Review by Carole Jaszewski
Interview by David Lee Beowülf
Greaze is What’s Good (Cannonball). Review by Gregory Schaefer
Event Review by Jennifer Winston
Feature
Feature by Gail Worley
Interference (Wax Trax!). Review by drew West
Diabolical Conquest (Relapse). Review by David Lee Beowülf
UMO: 2 (Caipirinha). Review by Gregory Schaefer
Alive at the F*cker (AmRep). Review by Charles D.J. Deppner
Dopamine (Atlantic). Review by Ian Koss
Allahrama (Brigade). Review by drew West
Gear Review by Ian Koss
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.
Brooklyn rapper Max Gertler finds himself a bit ground up on “Put My Heart in a Jay,” his latest single.
The dissolution of a wealthy Russian family confuses everyone involved.