Armageddon
The Album (Columbia). Review by George Jegadesh
Music, media, and thought from the Ink 19 editorial team
The Album (Columbia). Review by George Jegadesh
Jubilee (Slash/Warner Bros.). Review by Dave Liljengren
White Noise (Cleopatra). Review by Matthew Moyer
Feature
50 Intellectually Stimulating Themes from a Cheap Amusement Park for Robots and Aliens, Vol. 1 (Ed Furniture Entertainment). Review by Ian Koss
Print Review by Ian Koss
The One That Got Away (Beatville). Review by Julio Diaz
Various Artists (The Critical Massive). Review by Carl Glaser
Gut Wringing Machine (Cargo). Review by David Lee Beowülf
On the Wires of our Nerves (Mute). Review by Matthew Moyer
Live In Australia – No Sleep Till Bedtime (Century Media). Review by Ed Furniture
Feature by Terry Eagan
Event Review by Brent Dey
Feature
People Move On (Columbia). Review by Gail Worley
Feature
Little Birds (Drag City). Review by Chad Bidwell
Print Review by Ian Koss
Crackle (Beggars Banquet). Review by Gail Worley
Feature
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.